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Humphrey Bogart – supplier of hydraulic fittings – precision fasteners manufacturer
Early
Bogart was born in New York, the first child Belmont DeForest Bogart (July 1867, Watkins Glen, New York, September 8, 1934, Tudor City apartments, New York, New York) and Maud Humphrey (1868 1940). Belmont and Maud were married in June 1898. his father's ancestors were Dutch, English, and Spanish origin. [Citation needed] Bogart is a Dutch name meaning rchard. Mother's family were largely of English origin and to a lesser extent, Wales. [Citation needed] Bogart father was a Presbyterian, while his mother was an Episcopalian. Bogart was raised in the faith of his mother.
anniversary of Bogart was a subject of controversy. Long believed that his birthday on Christmas Day 1899, Warner Bros. was a fiction created to romanticize the past, and he was actually born on January 23, 1899, a date that appears in many references. However, this story is without basis: If there is no birth certificate was never found, their knowledge of birth has been published in a newspaper in New York in early January 1900, supports the date of December 1899, as well as other sources, such as the 1900 census.
Children
Bogart his father in Belmont, was a surgeon in the heart and lungs. His mother, Maud Humphrey, was a commercial illustrator, who received his art training in New York and France, including James McNeill Whistler study, who later became artistic director of the fashion magazine delimiter. She was a militant suffragette. She used a baby picture in a campaign known Humphrey by Mellins Baby Food. In his youth, he has made over $ 50,000 per year, then a huge sum, much more her husband $ 20,000 per year. The Bogarts lived in a fashionable apartment on the Upper West Side, and had a house in an area of fifty hectares elegant and five in the New York State, on Canandaigua Lake. As a young band, Humphrey's friends in the lake would plays.
Humphrey was the oldest three children, had two younger sisters, Frances and Catherine Elizabeth (Kay). His parents are very formal, busy in their careers, often in small foughtesulting emotion in children, "I grew up very much without sentimentality but frankly. A kiss, our group was an event. Our mother and father had glucose in my two sisters and me. "As a boy, Bogart was teased for his curls, cleaning, "cute" pictures his mother had posed for Little Lord Fauntleroy clothes she dressed innd name "Humphrey." From his father, Bogart inherited a tendency to needle people, a love of fishing, a lifelong love of sailing, and for attracting a women with a strong will.
Education
The Bogarts sent their son to private school. Humphrey started school to school until the fifth year Delancy when he was enrolled at Trinity School. He was an indifferent student who showed no interest sullen in activities after school. Later, he attended the prestigious prep school Phillips Academy in Andover, Massachusetts, where he was admitted on the basis of family ties. Expected to go to Yale, but Bogart was expelled in 1918.
The details of his expulsion are disputed: one story claims he was expelled for throwing the Director (Alternatively, a gardener) in rabbit pond, an artificial lake on campus. Another quote from smoking and drinking together with poor school performance and possibly some intemperate comments to staff. He said he had been removed from school by her father, not to improve their academic as opposed to expulsion. In any case, his parents were deeply shocked by the events and plans for their future is.
Marina
Soon, no other job options, Bogart followed his love of the sea and joined the U.S. Navy in the spring of 1918. Later recalled, t eighteen the war was a big deal. Paris! the French! Hot Damn! 20] Bogart model is saved as a sailor who spent most of the months of his life in the Navy after the armistice was signed, bring the troops home from Europe.
stretch marks
It was during his stay naval Bogart can I have the scar and developed his trademark lisp brand, but the circumstances are unclear. In one account, during a bombing of his ship, the USS Leviathan, his lip was cut by shrapnel shells, although some say Bogart would do after the armistice was signed. Another version, that old friend of Bogart author Nathaniel Benchley, claims is the truth is that Bogart was injured during a mission to take a prisoner of war at Portsmouth naval prison in Kittery Maine. Apparently, while changing trains in Boston, the handcuffed prisoner Bogart asked for a cigarette and while Bogart looked a match, the prisoner raised his hands, smashed Bogart in the mouth with his wrists cut from the lips of Bogart, and fled. The prisoner was eventually taken to Portsmouth. Another explanation is in the process uncuffing an inmate, Bogart was beaten in the mouth when the inmate had an opening, no cuff bracelet while the other was still on his wrist. According to Darwin Porter, Humphrey Bogart: The Early Years, the scar was caused by his father, Belmont, during a terrible argument.
By the time Bogart was treated by a doctor, the scar had formed. "Goddamn doctor," Bogart said more late David Niven, "instead of sewing the leg." Niven says that when he asked Bogart about his scar he said was caused by an accident in his childhood, Niven stories Bogart said that the scar during wartime were made by the studios to inject glamor. His post-service physical does not mention the scar on his face, even if it relates to many smaller scars, so that the real cause might come later. When the actress Louise Brooks met Bogart in 1924, had a small scar on his upper lip, Belmont Bogart that can be partially repaired before Bogart in the film was in 1930. She believes that her scar has nothing to do with your model distinctive speech, his "lip wound gave him no speech impediment, either before or after it has been repaired. Over the years, Bogart played all fitness classes lips, nasal voice accompanied by grunts, mumbles and slurs. WinCE your read your painful, and his devilish smile are the most successful ever seen in the film. "
Early Career
Bogart came home to find Belmont suffered from poor health (perhaps exacerbated by an addiction to morphine), his medical practice was failing, and lost a lot of money on bad investments the family in the wood. During his naval days Bogart character and values developed independently of family influence, and he started to rebel a bit of their values. He became a liberal who hated pretense, hypocrisy and snobs, and sometimes has challenged the classical behavior and authority, traits that appear in life and in his films. On the other hand, has kept the traits of good However, clarity, timeliness modesty and aversion to being touched.
After his military service, he worked as Bogart Bond originator and seller. Joined the Naval Reserve.
More importantly, he resumed his childhood friendship with Matt Brady Bill, Jr., whose father had connections of the show and possibly Bogart got an office job working for William A. Brady Sr. New World Films company. Bogart came to try his hand at screenwriting, development and production, but excels in none. For a time, was director of playing with the daughter of Mrs. Brady ruin. A few months later, in 1921, Bogart made her stage debut in lead Butler Japanese Alice Brady in another room, talking nervously a single line of dialogue. Several more appearances followed in his later works. Actors like Bogart keep late hours, and enjoyed the attention of an actor is on stage. He said, born to be lazy and that was the sweetest of the rackets.
He spent much of his free time in the underground and became a heavy drinker. A bar fight during this time could have been the real cause of the injury Bogart's lip, as it coincides with the best story of Louise Brooks.
Bogart was raised to believe in the quality was below a knight, but he liked to stage action. Never took acting classes, but persisted and has worked regularly in his office. He has appeared in at least seventeen Broadway productions between 1922 1935. Played a minor or romantic the second aimed at developing the comedy room. They say it was the first actor to ask "Tennis, anyone?" On stage. Spokesman Alexander Woollcott wrote that Bogart's early work "is what is generally and happily at fault." Some comments have been nice. Heywood Broun written exam nerves, Umphrey performanceboth Bogart gives the most effective dry and fresh, if possible. Bogart hated the parties trivial, effeminate men who had to play early in his career, calling them "white pants Willie" roles.
Early in his career, playing a double role in the game to drift in the Playhouse Theatre in 1922, Bogart met Helen Menken the actress. They married on May 20, 1926 in the Gramercy Park Hotel in New York, November 18, 1927 they divorced, but continued remain friends. On April 3, 1928, he married Mary Philips in the apartment his mother in Hartford, Connecticut. She, like Menken, had a fiery temper and Bogart as any other spouse, was an actress. He met Mary in her appearance in the game of nerves, which had a very short time in Comedy Theater in September 1924.
After the stock market crash of 1929, setting stage has decreased dramatically and the head a lot more photogenic actors in Hollywood. first Bogart movie with Helen Hayes in 1928, two royal City of dance, including a complete copy was never found. Joan Blondell also appeared in a Vitaphone short in 1930 it was rediscovered in 1963. Bogart then signed a contract with Fox Film Corporation for $ 750 per week. Spencer Tracy is a serious actor who loved and admired Bogart Broadway and are we good friends and drinking companions. Tracy was in 1930, who first called him "Bogey." (Spelled differently in many sources, Bogart was written his nickname "Bogie".) Tracy and Bogart appeared in their only film together, John Ford film startup sound to the River (1930), with the two prisoners to play. It was Tracy's first film. Bogart and starred in the bad sister to Bette Davis in 1931 in a supporting role.
Bogart and forth between Hollywood and the state New York from 1930 to 1935, suffering long periods without work. His parents had separated, and Belmont died in 1934 in debt, Bogart finally paid. (Bogart gold ring from his father who always wore, even in many of his films. When her dying father, Bogart finally said how much he loved Belmont.)
Bogart was the second marriage on the rocks, and was less happy with his acting career to date, he became depressed, irritable, and drank a lot.
The Petrified Forest
Lauren Bacall, Humphrey Bogart and Henry Fonda in the 1955 TV Petrified Forest.
Bogart starred in the invitation to murder in the Broadway Theater Mask, now John Golden Theatre in 1934. Producer Arthur Hopkins was read from off stage and sent for Bogart play Duke Mantee in Robert E. murderer escaped Sherwood new play, The Petrified Forest. Hopkins recalled:
When he saw the actor was a little surprised because it was which I never admired. He was a miner who has spent the archaic Most life stages of white pants a tennis racket. It seemed that, far from being a cold-blooded murderer could be obtained, but the voice of the (dry and tired) persisted, and the voice Mantee.
The play had 197 performances at the theater Broadhurst in New York in 1935. Leslie Howard, however, was the star. A spokesman for The New York Times, Brooks Atkinson said of the play, a roar of Fisheries Western melodrama Humphrey Bogart did the best job of his career as Bogart actor.43] said the film arched my release in the ranks of the elegant, gourmet shirt, stiff, the tail moothies Duck with which seemed doomed to life. However, it was still a feeling of insecurity.
Warner Bros. bought the screen rights to the petrified forest. The study was famous for his social realism, urban images of low-budget action, the game seemed the perfect property for her, especially because the public has been seduced by real life criminals like John Dillinger and Dutch Schultz. Bette Davis and Leslie Howard were issued. Howard, who had the rights to production, Bogart clearly wanted to play with him. The study tested several Hollywood veterans for the Duke Mantee role, and chose Edward G. Robinson, who had more appeal big star and should make a movie to fulfill his onerous contract. Bogart cable news of this to Howard, who was in Scotland. Howard Cable response was: tt: Jack Warner Demand Mantee Bogart Bogart Play No No Deal LH. When Warner Bros. saw that Howard did not move, was in the cast and Bogart. Jack Warner, known to clashes between its stars, Bogart tried to adopt a stage name, but stubbornly refuses to Bogart. Bogart never forgot the favor of Howard, and in 1952 appointed his only daughter, Leslie, after Howard, who died in World War II. Robert E. Sherwood remained a close friend of Bogart.
The first film career
The film version of The Petrified Forest was released in 1936. His performance was called Rillier, ompelling and uperb. Despite its success in film, Bogart received a warm five forty week contract at $ 550 per week and has been typecast as a gangster in a series of crime dramas "series B ". Bogart was proud of his success, but the fact that he played a gangster weighed on him. He said:
I can not get a slight discussion without turning it into a discussion. There must be something in the tone of my voice, or what arrogant faceomething antagonizes everybody. Nobody likes the view. I guess that's why I'm as the heavy iron.
Bogart functions were not only repetitive, but very physically demanding and draining (no air conditioning studies), and regulated work either regular Warner was not exactly the life of the actor who eachy expected. However, it has always been professional and generally respected by other actors. In this "series B" year, Bogart began to develop his personality wounded durable film, stoic, cynical and charming, vulnerable loner, self-critical with a core of honor.
Bogart dispute with Warner Bros. about the roles and money were similar to those that the study had other stars with less than obedient as Bette Davis James Cagney, Errol Flynn and Olivia de Havilland.
Bogart and James Cagney with Jeffrey Lynn in the Twenties (1939), the last film Bogart and Cagney did together.
The studio system, then in its most entrenched, the actors are usually limited to one study, with occasional loan-to and Warner Bros. had no no interest in making Bogart a star on top. Recording a new movie might begin days or only hours after cooking above has been completed. Any actor who refused a role could be suspended without pay. Bogart did not like the role chosen for him, but he worked as constant: between 1936 and 1940, Bogart averaged a movie every two months, sometimes working in both at the time that movies are not usually returned sequentially. Warner facilities were small compared with those of his fellow actors in the MGM. Bogart Warner service cabinet thought it was cheap, and often wore costumes own movies. In High Sierra, Bogart used his own dog Zero Pard the dog to play your character.
The men ahead of Bogart at Warner Bros. includes not only classic stars as James Cagney and Edward G. Robinson, but also actors far less well known today, such as Victor McLaglen, George Raft and Paul Muni. The Most of the best scripts film studio was to these men, and Bogart had to take what was left. He made films like Racket Busters, San Quentin and you can not get away with it. The only leading role he received during this period ends Summer (1937), while paid to Samuel Goldwyn, where played a gangster Baby Face Nelson inspired. He played a variety of interesting roles, such as Angels with Dirty Faces (1938) (in which his character was assassinated by James Cagney). Bogart was filmed repeatedly, by Cagney and Edward G. Robinson, among others. In Black Legion (1937), for a change, played a good man trapped and destroyed by a racist organization, a film of Graham Greene called SMART, and exciting, but good.
In 1938, Warner Bros. has been a "hillbilly music" Swing Your Lady known as a wrestling promoter later apparently considered this his worst performance in the film. In 1939, Bogart played a mad scientist on the Return of Dr. X. The cracked, "If blood had been Jack Warner would not have cared much. The problem was that they drank mine and I made the movie sucks. "
Dark Victory (1939) was one of the last films in which he played a supporting role.
Mary Philips, in their own stadium sizzling hit a touch of sulfur (1935), refused to give up her career on Broadway to Hollywood with Bogart. After the play closed, however, went to Hollywood, but he insisted on continuing his career (which was even bigger star than him) and decided to divorce in 1937.
August 21, 1938, Bogart entered into a third disastrous marriage, to actress Mayo Methot, a lively friendly woman when sober, but drunk paranoid. Was convinced that her husband was cheating. In addition she and Bogart were separated, the more drinking, became angry and threw things at him: plants, crockery, for any thing by hand. She even put the house on fire, stabbed with a knife and slit his wrists on several occasions. Bogart, meanwhile her needle without mercy and seemed to enjoy confrontation. Sometimes turned violent. The press said that the nickname "the battle of Bogarts." "Bogart-Methot marriage was the result of the war timetable "Said his friend Julius Epstein. One wag noted that it was" madness in his Methot. "Meanwhile, Bogart bought a motor boat, the name of his nickname Sluggy his wife is angry. Despite his proclamations that "I like a jealous woman," "us so well together (because) we have no illusions about the other "And" I do not want to give two cents for a female character has become a very destructive.
In California in 1945, Bogart bought a 55-foot (17 m) yacht, Santana, actor Dick Powell. The sea was his sanctuary and loved to sail around the island of Catalina. It was a serious sailor, respected by others sailors who had seen too many actors in Hollywood and their ships. About 30 weekends a year left on his boat. He said: "An actor has something to stabilize his personality, something to reflect what it really is, not what is currently pretending to be. "
He had a disgust for life pretentious false or false, that his son Stephen, said Turner Classic Movies host Robert Osborne in 1999. Sensible but caustic, and disgusted by the film, had less exposure Bogart cultivated the persona of a soured idealist, a man exiled from better things in New York, life through your mind, too drunk, condemned to live his life among second-class people and projects.
Bogart rarely saw his own films and avoid in the first place. Not involved in the game or Hollywood gossip columnists to fawn on newspapers, or engage in false politeness and admiration partners or behind the scenes backstabbing. Even his private life protected with press releases about their private lives invented to satisfy the curiosity of the press and the public. When I thought the study of actor, director or film had something wrong, he talked about this and was willing to be quoted. Robert Mitchum He said the only way to stay alive in Hollywood would be a "counter." Consequently, there was the most popular actors, and some in the Hollywood community his favorite avoided to avoid problems with the studies. But the Hollywood press, unaccustomed to candor, was delighted. Bogart once said:
In all of Hollywood, are continually advising me "Oh, you should not say that. This will give you many problems I realized that some photos or writer or director or producer is not good. I do not understand. If it is not good, why do not you say that? If more people talk about it, may soon begin to have some effect.
Fame
High Sierra
High Sierra, a 1941 film directed by Raoul Walsh was a script written by his friend and partner drinking Bogart, John Huston, adapted from the novel by WR Burnett (Little Caesar, etc.) Both Paul Muni and George Raft turned down paper, giving the opportunity to Bogart playing a character with some depth. The film was the last great film Bogart plays a gangster (his role gangster Big Shot The final was 1942). Bogart has worked with Ida Lupino and her relationship with him was his purpose, provoking the jealousy of his wife May Bogart.
The film cemented a strong link between the personal and professional Bogart and Huston. Bogart admired and envied Huston for his lack of talent as a writer. Despite a poor student Bogart was life drive. One could quote Plato, Pope, Ralph Waldo Emerson and over a thousand lines of Shakespeare. Agrees with the Harvard Law Review. Admired writers, and some of his best friends were screenwriters, including Louis Bromfield, Nathaniel Benchley and Nunnally Johnson. Bogart enjoyed an intense conversation, provocative and strong drinks, like Huston. Both rebelled and liked to play as a child. John Huston was reported to be easily bored during production, and admired Bogart (who also easily bored off camera), not only for her acting abilities, but because of his intense concentration on the plateau.
The Maltese Falcon
Bogart as Sam Spade in The Maltese Falcon
Balsa refused the male lead in the first film John Huston The Maltese Falcon (1941), because it is a clean version of the Law on Pre-production of The Maltese Falcon (1931), his contract stipulates that he not appear in remakes. The original novel written by Dashiell Hammett, was published in the pulp magazine Black Mask in 1929. It was also the basis for another version of the film, Satan Met a Lady (1936). Complementing Bogart were co-stars Sydney Greenstreet, Peter Lorre, Elisha Cook Jr., and Mary Astor sheet treacherous women.
strong Bogart schedule private detective Sam Spade was received by the cast and director as essential to quick action and rapid-fire dialogue. The film was a huge success and Huston, a triumphal scene. Bogart was exceptionally happy with him and said, "is practically a masterpiece. I do many things that makes me proud, but it is."
Casablanca
Bogart got his first real romantic lead in 1942 in Casablanca, playing Rick Blaine, the owner harassed expatriate night table for escape the past and negotiate a fine line between the Nazis, the French Resistance, the prefect of Vichy and unresolved feelings of his ex-girlfriend. The film was directed by Michael Curtiz, produced by Hal Wallis and characterized by a strong cast, including Ingrid Bergman, Claude Rains, Sydney Greenstreet, Paul Henreid, Conrad Veidt, Peter Lorre and Dooley Wilson.
Sydney Greenstreet and Bogart in Casablanca.
In real life, Bogart plays tournament chess, one level below master, and often plays with members of the crew and cast off the set. It was his idea that Rick Blaine is presented as a chess player, who also serves as a metaphor for the relationship combat characters played by Bogart and rain in the film. However, Paul Henreid proved to be the best player.
The point at the screen magic of Bogart and Bergman was the result of the two actors do their best work, not real life sparks, if she ever jealous of Bogart did the opposite. Outside the set, co-stars hardly spoke for no shooting, which normally had the reputation of its business with leading men. Because Bergman was greater than his point man, Bogart had blocks of 3 inches (76 mm) attached to their shoes in some scenes. He would later say: "I gave him a kiss, but I do not know." Years later, after Bergman had taken with Italian director Roberto Rossellini, and bore him a son, Bogart confronted her. "You used to be a big star," he said, "What are you doing now? "" A happy woman, "he said. [Citation needed]
Casablanca won the 1943 Oscar for Best Picture. Bogart was nominated Best Actor in a role, but lost to Paul Lukas for his performance in Watch on the Rhine. However, for Bogart, who was a huge win. The film was released from the fourth to first file the study, eventually more than James Cagney, and more than double his salary to more than $ 460,000 per year by 1946, becoming the highest paid actor in the world.
Bogart and Bacall
Bogart and Bacall interviewed during World War II.
Bogart met Lauren Bacall when To be filmed or not (1944), loosely adapted from the novel by Ernest Hemingway. The film has many similarities to Casablanca, the same enemies, the same type hero even a pianist friend (this time Hoagy Carmichael).
When they met, Bacall and Bogart were nineteen to forty-five years. The nickname "Baby." She had been a model since she was sixteen and had acted in two plays, no. Bogart said to Bacall high cheekbones, green eyes, hair strawberry blond and slender body, and ease and honesty land openly. Have you been told, I just saw the test. Wel have fun together. Their relationship was very physical and emotional high from the beginning, and as the difference in age and experience different also created a new dimension of a mentor-student relationship. On the contrary the standard of Hollywood was his first business with a leading lady. Bogart was married and his first meetings with Bacall miserably be discreet and brief, filled their separations burning love letters. The relationship was much easier for the newcomer to make his first film, and Bogart did his best to put at ease by joking quietly with him and his coach. Stealing scenes left and even encouraged. Howard Hawks, meanwhile, has also done everything possible to improve performance and function Bogart and are easy to navigate.
Hawks at one point started to reject the couple. Hawks believes his protector and mentor, and Bogart has usurped that role. Hawks fell for Bacall as well (usually avoided his stars, and they were married.) Hawks said he did not mean anything to Bogart and even threatened to send him to Monogram, the worst studio in Hollywood. Bogart has calmed down and then According to the Hawks. Jack Warner, to resolve the dispute and resumed shooting. By jealousy, the Hawks, Bacall said: "Bogie fell in love with the character she played, so he had to keep playing the rest of his life."
The Big Sleep
Just months after the packaging film, Bogart and Bacall met for their second film together, the black cinematic masterpiece The Big Sleep, based on Raymond Chandler novel, even after the script with the help of William Faulkner. Chandler background admiration for the results of Bogart: "Bogart can be difficult without a gun also has a sense of humor that contains this display of contempt for the network .. "
Bogart was always torn between his new love and devotion to owe their marriage. The atmosphere on set was tense, the actors, both emotionally drained as Bogart tried to find a solution to your dilemma. Once again, dialogue was full of sexual innuendo provided by the Hawks and Bogart is compelling and durable as the private detective Philip Marlowe. Ultimately, the film was very successful, though some critics found the plot confusing and too complicated.
Marriage
Divorce proceedings began in February 1945. Bogart and Bacall married in a small ceremony in the lodge of a close friend of Bogart, Pulitzer Prize winner author Louis Bromfield at Malabar Farm in Lucas, Ohio, May 21, 1945.
Bogart and Bacall moved into a mansion of white brick $ 160,000 in an upscale neighborhood of Holmby Hills.The marriage turned out to be fun, if normal stresses due to differences. It was a homebody and loved the nightlife. He loved the sea, he made his disease. Bacall allowed Bogart weekend long in its boat, and he was dizzy drinking Bogart sometimes inflamed tensions.
Lauren Bacall gave birth to Stephen Humphrey Bogart, 6 January 1949. Stephen was named after Bogart character nickname To Have and no, that Bogart a father at 49. Stephen became a successful author and biographer, later hosting a special broadcast of his father in Turner Classic Movies. They had their second child, Leslie Howard Bogart on August 23, 1952, a girl named after British actor Leslie Howard, who was killed in WWII World.
Final Race
The enormous success of Casablanca redefined Bogart's career. For the first time, Bogart the potential to be expressed as a man hard, strong and at the same time, as a vulnerable love story. Despite high Bogart, who has no contractual right of writing the negative, so that when he dashes weak, has dug in his heels and crossed swords again with the main office, as it did in the conflict in the movie (1943). Despite featuring Jack Warner this table, managed denied God is my copilot (1945). During part of 1943 and 1944, Bogart was then the USO and War Bond May accompanied visits lasting arduous journey to Italy and North Africa, including Casablanca.
The Treasure of Sierra Madre
The wind in its sails in 1947 a new contract that establishes certain rights and the negative right script to start his own independent production company Bogart met with John Huston in The Treasure of the Sierra Madre, a story of greed Stark involving three gold miners played in the dusty back country of Mexico. The absence of any love story or a happy ending, it was considered a risky project. Bogart said later co-star (and the father of John Huston), Walter Huston, "Probably the only artist in Hollywood, where I am as a scene."
The film was hard to do, and was conducted in the summer for more realism and atmosphere. James Agee wrote: "Bogart is a wonderful job with this charactermiles the good work you did before. John Huston won Oscars for direction and screenplay and his father was named best supporting actor, but the movie was mediocre box office results. Bogart complained unscripted intelligent, beautiful directedomething differentnd the public is a cold shoulder on this. "
Anti-American Activities Committee
Bogart, a liberal Democrat, organized a delegation to Washington, DC, called the Committee for the First Amendment to the height McCarthyism, harassment of the House Un-American Activities Committee Hollywood writers and actors. He then wrote an article entitled "I'm not a communist" March 1948 edition of Photoplay magazine in which he distanced himself from the Hollywood Ten to counter the negative publicity that the result of its appearance. Bogart wrote: "The ten men cited for contempt by the House Un-American Activities Committee did not fight for us."
Santana Productions
In addition it offers a better, more diverse roles, he started his own production company in 1948, Santana Productions, named after his private yacht. (Santana was also the name of the yacht in the 1948 film Key Largo). Jack Warner was furious, although he agreed Bogart, fearing that other stars would do the same studies and large lost their power. The studies, however, were already under great pressure, not only as independent actors such as Bogart, James Stewart, Henry Fonda and other (Who also keeps taxes as an independent), but also the impact of television and the erosion of breaking antitrust laws channels films. Bogart made his final film for Warner, Chain Lightning and The Enforcer, both published in early 1950.
Bogart Productions Under Santana, was released by Columbia Pictures, Bogart starred in Knock on Any Door (1949), Tokyo Joe (1949), In a Lonely Place (1950), Sirocco (1951) and Beat the Devil (1954). Although most of his films lost money at the box office (the main reason for the end of Santana), at least two of them are still known today In a Lonely Place is now recognized as a masterpiece of black cinema. Bogart plays Dixon Steele bitter writer with a history of violence and becomes a suspect in a case murder while he falls for an actress could not play by Gloria Grahame. Many biographers Bogart and writer and actress Louise Brooks agreed that the paper is the autonomy closer to real Bogart and is considered among the best performance. She wrote that the film av a role he could play with the complexity, because the character Film pride in his art, his selfishness, drunkenness, lack of energy from lightning strokes of violence were shared by the real Bogart. The character even mimics some of Bogart's personal habits, including two control Bogart's favorite meal of ham and eggs.
Beat the Devil, his latest film his friend and favorite of director John Huston, also enjoys a cult. Co-written by Truman Capote, the film is a parody of The Maltese Falcon, and is a story of a group amoral thieves inaccessible treasure hunt, in which the uranium, for example.
Bogart has sold its stake in Santana Colombia for more than $ 1,000,000 in 1955.
The panda incident
Bogart and his friend Bill Seeman arrived at the Club El Morocco in New York after midnight in 1950. Bogart and Seeman sent someone to buy two 22-pound stuffed pandas because, in a drunken state, thought the pandas would be good for the company. Support the door in separate chairs, and began drinking. Two young men saw the stuffed animals. When a woman has opted for a superior, which quickly ended on the floor. The other woman tried to do the same and is in the same position.
The next morning, Bogart was awakened by a city official who received a summons for assault. Knowledge of a media frenzy was imminent, he met media and unshaven in his pajamas. He told the press that he agreed to take the panda and "this screaming, screaming young. No one was injured, no one I have no socks. If the girls fell to the ground, I guess it was because he could not stand at the same time Time reported of the alleged victim had three of the alleged assault and said that the swelling and bruising. Club spokesperson Leonard MacBain said, "No blows were exchanged, was just one of those things. "
The following Friday, after the woman admitted to touching the panda, "Magistrate John R. Starkey ruled that Bogart had been defending their property, said suspicion that the actor had been mousetrapped in the case of advertising the club and dismissed the case. "
The African Queen
Bogart in The African Queen
Bogart starred with Katharine Hepburn in The African Queen in 1951, again directed by his friend John Huston. The novel was neglected and left undeveloped for fifteen years until producer Sam Spiegel and Huston bought the rights. Katharine sent Spiegel Hepburn Bogart the book and suggested for the male lead, firmly believing that the post was the only man who could play the game. Huston love of adventure, opportunity to work with Hepburn, and previous success with Bogart Bogart Huston asked to leave the comfort of the limits of Hollywood for a tough session in the Belgian Congo in Africa site. Bogart was to get 30 percent of the benefits and the percentage Hepburn 10, plus a relatively low for both. The stars are found in London and announced happy possibility of working together.
Bacall has reached the duration (more than four months), leaving behind his young child, but began Bogarts the trip with a sightseeing trip through Europe, including a visit with Pope Pius XII. Later, the glamor is gone and it to be useful as cook, nurse, and washing machine, for which Bogart rented, you know what we have done without it. He dislocated my underwear in black Africa. Almost everyone of the vote is down with dysentery except Bogart and John Huston, who subsisted on canned food and alcohol. Bogart explained: "All I was eating baked beans, canned asparagus Scotch and getting a little fly Huston or me, who was killed .. "The teetotaler Hepburn, in and out of character, did not fare so well under difficult conditions, lose weight, and at one point, he became very sick. Bogart, Huston resisted the emphasis on actual use of leeches in a key scene where Bogart drag the boat through a shallow marsh until they were used false arguments. Ultimately, the team managed the disease, invasion of army ants fleeing ships, poor power, attacking hippos, water filters shoddy, high insulation, and a fire boat to complete a memorable film.
The African Queen was the first Technicolor film in which Bogart appeared. Surprisingly, he appeared in relatively few color films for the rest of his career, which lasted for five years. (His other films include color The Caine Mutiny, The Barefoot Contessa, we are not angels, and the left hand of God.)
The role of Charlie Allnutt Bogart won an award as Best Actor in a Leading Role in 1951. Bogart believes his performance is the best of his career in film. He had promised his friends that if he won, his speech would break the convention of thanking everyone in sight. Claire Trevor advised when he was nominated for Key Largo ust say you and all gifts made by someone. But when Bogart won the Academy Award, which is really coveted despite his disdain for Hollywood and said, "Said t is a long way from the Belgian Congo to the stage this theater. It's nice to be here. Thanks muchNo do alone. As in tennis, you need a good opponent or partner to make the best of you. John and Katie helped me get where I am now. Despite the thrilling victory and recognition, Bogart said later, that means survival Oscar is a never try to win another … starswin too many and then figure they have to overcome … be afraid to take risks. The result: A large number representations of images bored bored.
final functions
From the Treasury Sierra Madre trailer (1948)
Bogart dropped selling price for the role of Captain Queeg in The Caine Mutiny by Edward Dmytryk, then complained to some of his old bitterness about it. Despite its success, was still his old love melancholy and competing claims to the study, then, that his health began to deteriorate.
Bogart gave a bravura as Captain Queeg, a naval officer unstable in many ways an extension of the character he played in The Maltese Falcon, Casablanca and The Big solo care trusts who Sleephe oneut with either heat or humor that made those characters so appealing. Like his portrayal of Fred C. Dobbs in The Treasure of the Sierra Madre, Bogart played a paranoid, the self-pitying character whose small-mindedness eventually destroyed. Three months before the movie, Bogart as Queeg appeared on the cover of Time magazine, while on Broadway starred Henry Fonda in the stage version (in a different role), both generated strong publicity of the film.
In Sabrina, Billy Wilder, unable to Cary Grant, Bogart has chosen for the role of age, the brother of conservative who competes with his brother young playboy (William Holden) for the affections of the Cinderella-like Sabrina (Audrey Hepburn). Bogart was lukewarm about the game, but agreed to a handshake with Wilder, but ended script, and ensure that the administrator take good care of Bogart during the filming. However, Bogart has wrong with his director and co-stars. He also complained about the script, which was written in a last minute of every day, and favored Wilder Hepburn and Holden on and off the set. The main problem is that Wilder was the opposite of his ideal director, John Huston, both style and personality. Bogart told the press that Mr. Wilder was "arrogant" and "It's kind of Germans from Prussia whip. He is the kind of director with which to work with … the picture is a lot of crap. I'm sick and tired of suffering Sabrina. "Wilder said:" We parted as enemies, but finally established. "Despite the acrimony, the film was a success. The New York Times said Bogart," is incredibly intelligent … the skill with which this old rock band actor Costa mixture of gags and such duplicity, a manly way the merger is one of the many joys of the series. "
The Barefoot Contessa, directed by Joseph Mankiewicz Rome filmed in 1954 and gave Bogart one of his more subtle roles. In this film the Hollywood back-story, Bogart is again the man down, this time director-narrator cynic who saves his career by making a star of a dancer Ava Gardner, inspired by the real life of Rita Hayworth. Bogart was uncomfortable with Gardner because she had separated only "Rat Pack" Frank Sinatra and Buddy was on the bullfighter Luis Miguel Domingun. Bogart said: "Half of the female population was thrown at the feet of Frank and are flouncing around with the guys wearing capes and little ballerinas. "It has also been embarrassed by his performance without experience. It was later credited with assistance. Bogart's performance was generally regarded as the strongest part of the film. During filming, all that was home Bacall, Bogart has taken his case discrete Verita Peterson, assistant to her studio to date has long enjoyed sailing and drinking. But when Bacall soon reached the place to discover together, Bacall was it well. Removes a frenzy buying costly for him and the three traveled together after the shooting.
Bogart could be generous with the actors, especially those who have been blacklisted, having a bad, or having personal problems. During the filming of The Left Hand of God (1955), saw his co-star Gene Tierney have trouble remembering their lines, and also behave strangely. Tierney trained by feeding the lines. He was familiar with mental illness (his sister had episodes of depression), and Bogart encouraged Tierney to seek treatment, what he did. Joan Bennett also stood behind and insisted on it as his co-star in We're No Angels, when a scandal in its non grata with Jack Warner.
In 1955, he made three films: We're No Angels (Directed by Michael Curtiz), The Left Hand of God (directed by Edward Dmytryk) and The Desperate Hours (Dir. William Wyler). Mark Robson harder Falling (1956) was his latest film.
Television work
Bogart rarely appeared on television. However, he and Lauren Bacall appeared in Edward R. Murrow 's person to person. Bogart was also featured in the Jack Benny show. The surviving kinescope live broadcasts with Benny Bogart in output only television comedy sketch. Bogart and Bacall also worked together on a color television in early 1955, an NBC adaptation of the Sample Producers' Petrified Forest, just a black and black picture tube of live broadcast has survived.
Radio work
Bogart made adjustments to some of the best known films of the radio, such as Casablanca and The Maltese Falcon. He also recorded a radio series called Bold along with risk Lauren Bacall.
Filmography
Main article: Humphrey Bogart filmography
The Rat Pack
Bogart is a founding member of the Rat Pack. In the spring of 1955, after a long party in Las Vegas with Frank Sinatra, Judy Garland, her husband, Sid Luft, Mike Romanoff and his wife Gloria, David Niven, Angie Dickinson and others, Lauren Bacall sinking of the game and said, "You look like a goddamn rat pack.
Romanoff in Beverly Hills, where he became the Rat Pack official. Sinatra has been named chief Pack, Bacall called Den Mother, Bogie was Director of Public Relations, and Sid Luft was Acting Manager Cage. When asked by the columnist Earl Wilson what the purpose of the group was, Bacall responded "to drink a lot of bourbon and be the end."
Chess
Bogart was an excellent chess player, almost by the master of the force. Prior to making money on quality players to fight for dimes and quarters, playing in the parks of New York and Coney Island. The chess scene in Casablanca in the original script, but have been at his insistence. A chess position of one of their games will appear correspondence in film, but the image is blurred. He earned a draw in a simultaneous exhibition given in 1955 in Beverly Hills by the celebrated chess Grand Master Samuel Reshevsky and also played against George Koltanowski in San Francisco in 1952 (Koltanowski played blindfolded, but still won in 41 moves.)
Bogart was a U.S. chess game tournament director of the Federation and is active in the California State Chess Association and a frequent visitor Chess Club in Hollywood. In 1945, the cover of the June-July issue of Chess Review was playing Bogart Charles Boyer, as Lauren Bacall (who also played) notes. In June 1945, an interview on the Silver Screen magazine, when asked what things in life that mattered most to him, said that chess was one of his main interests. He said he played chess almost every day, especially for shooting films. He loved the game for life.
Death
stars Humphrey Bogart in the Hollywood Walk of Fame.
By mid 1950, Bogart's health deteriorates. Once, after signing a long-term agreement with Warner Bros. Bogart cheerfully predict that teeth and hair fall before the end of the contract. That sent a furious Jack Warner to his lawyers. Bogart had formed a new production company and had plans for a new film Melville Goodwin, USA, where he played a general and a tycoon media Bacall. His persistent cough and difficulty eating became too serious to ignore and he abandoned the project. The film has been renamed and is Top Secret Affair with Kirk Douglas and Susan Hayward.
Bogart, a heavy smoker and drinker, contracted cancer of the esophagus. Rarely spoke of her ill health and refused to see a doctor until January 1956. Diagnosis It was a few weeks later, after returning to his esophagus, two lymph nodes and a rib on March 1, 1956, it was too late to stop the disease, even with chemotherapy. He underwent corrective surgery in November 1956, after cancer had spread.
Katharine Hepburn and Spencer Tracy went to see. Frank Sinatra was also a frequent visitor. Bogart was too weak to climb stairs. He bravely fought the pain and tried to joke about immobility, "Put me in the elevator and I'm going to the first floor with style." What happened, the car has been modified to fit your chair wheel. Hepburn, in an interview, described the last time you saw Bogart and Spencer Tracy (the night before his death):
Spence patted him on the shoulder and said, "Goodnight, Bogie." Bogie turned his eyes to Spence very quietly and with a sweet smile covered his hand and Spence said: "Goodbye, Spence." Corazón Spence stopped. Understood.
Bogart had just turned 57 and weighed 80 pounds (36 kg) when he died January 14, 1957, after falling into a coma. He died at 2:25 am at home at 232 Mapleton Drive in Holmby Hills California. His funeral was held in simple Church of All Saints Episcopal musical selections played by Bogart composers favorites, Johann Sebastian Bach and Claude Debussy. It was followed by some major Hollywood stars, including Katharine Hepburn, Spencer Tracy, David Niven, Ronald Reagan, James Mason, Danny Kaye, Joan Fontaine, Marlene Dietrich, Errol Flynn, Gregory Peck and Gary Cooper Wilder and Billy and Jack Warner. Bacall had asked Spencer Tracy to give praise, but Tracy bother too much if John Huston made the eulogy instead, and reminded the mourners that while Bogart's life had ended too soon, he was rich.
Himself, never took too seriouslyis more serious work. He considers the somewhat gaudy figure of Bogart, the star, with an amusing cynicism, Bogart, the actor, who is eager to meet each of the deep springs Versailles is a pike which keeps all live carp, grow and die if excess fat. Bogie took delight rare in the implementation a similar obligation sources in Hollywood. However, victims are rarely given any malice, and when they did, not for long. Their trees have been shaped sole solvent in the outer layer of convenience and does not penetrate through the regions of the spirit where real injuries are actually … It is absolutely irreplaceable. There will never be another like him. "
His ashes are buried in Forest Lawn Memorial Park Cemetery in Glendale, California. Buried with him is a whistle small gold, that he gave his future wife, Lauren Bacall, before marriage. In connection with its first film together, which was inscribed: "If you want something, just whistle. "
Humphrey Bogart hand and footprints are immortalized in the forecourt of Grauman's Chinese Theater and has a star on the Walk of Fame in 6322 Hollywood Boulevard in Hollywood.
Respect
After his death, "Bogie cult, formed in the Brattle Theatre in Cambridge, Massachusetts, and Greenwich Village, New York and France, who helped his peak of popularity in the years 1950 and 1960.
In 1997, Entertainment Weekly named him number one Movie legend of all time. In 1999, American Film Institute ranked it as the biggest male star of all time.
Breathless Jean-Luc Godard (1960) was the first movie to do homage to Bogart. Later, in honor of comedian Woody Allen Bogart Play It Again, Sam (1972), the ghost's character Bogart helps clumsy Allen, a film critic with disabilities and women whose "sex life became the Petrified Forest.
In 1997, the Postal Service U.S. Bogart stars in their "Legends of Hollywood" series.
Dating
Wikiquote has a collection of quotations related to: Humphrey Bogart
Bogart is credited with five of 100 of the American Film Institute's best quotes in American cinema than any actor:
5: "I Here, look at you, kid "Casablanca
14: "The things that dreams are made of." The Maltese Falcon
20: "Louis, I think this is the beginning of a beautiful friendship. "Casablanca
43a: "We'll always have Paris." Casablanca
67th: "From all the gin joints in all the cities in the world, she walks into mine. "Casablanca
In popular culture
This "In popular culture" This article may contain references minor or irrelevant. Please rearrange the contents to explain the impact on popular culture, not just the appearance of registration and eliminate the reference information. (January 2010)
Humphrey Bogart's life has captured the imagination of many writers and others:
The variation Fedora "Bogart" was named for the actor, who was also the first wearer of the hat.
The movie Friday the 13th (1980 film) with Mark Nelson Ned Bogart impression making, uttering the phrase "You know, you're beautiful when you're angry dear."
Two Bugs Bunny cartoons featured Humphrey Bogart
In Slick Hare (1947), rabbit Bogart orders at a restaurant in Hollywood. Rabbit said no, it is insistent young leader trying Elmer Fudd (In vain, as usual) to serve as food mistakes. Bogart finally gives, saying. "Baby you need is a ham sandwich," "Baby" Bacall nickname. Bugs, after hearing the name, introduced himself and immediately goes completely ga-ga over Bacall, who watched with amusement.
In 8 Ball Bunny (1950) Bugs decides to take a baby penguin back to the South Pole. At regular intervals, "Fred C. Dobbs" (Bogart's character in The Treasure of Sierra Madre) appears mistakes and asks for "help the poor of America on his luck" line of Bogart said repeatedly in the film by John Huston, playing an American gringo.
Miguel Street by VS Naipaul (1959), a character became "Bogart" Casablanca is shown after Trinity.
Bogart appears in one of Woody Allen movies, comedy, Play It Again, Sam (1972), which tells the story of a young man obsessed with his character.
Issue No. 70 the U.S. The Phantom (1977) is known as BD the "Bogart" issue, as the story stars Humphrey Bogart, Lauren Bacall, Sydney Greenstreet, Peter Lorre and Claude Rains and is a blend of Casablanca The African Queen, The Maltese Falcon and The Treasure of Sierra Madre.
The Man With Bogart's Face (1981), starring movie by Bogart lookalike Robert Sacchi.
The cartoon series Bogie Man is a mental patient who believes that is an amalgam of different characters in the film Bogart.
The slang term "bogarting" refers to unfairly take a long time with a cigarette, drinking, etc, which is supposed to be shared (for example, "Do not Bogart that joint"). It follows the style of smoking Bogart, who left his cigarette in his mouth instead removing between puffs.
See also
Bogart-Bacall syndrome
References
Notes
^ Ontario County Times birth announcement, January 10, 1900.
^ Anniversary of the Judgement.
^ Michael Sragow (January 16, 2000). "SPRING FILMS / Resurrection How is paper made Bogart an icon of "The New York Times Http: .. / / Query.nytimes.com / GST / fullpage.html resolution 9A07E7DB163AF935A25752C0A9669C8B63 =?. Retrieved on February 22, 2009.
^ "100 Icons of the Century – Humphrey Bogart." [[Variety (magazine )|]]. October 16, 2005. http://www.variety.com/index.asp?layout=variety100&content=jump&jump=icon&articleID=VR1117930697. Retrieved on February 22, 2009.
^ Meyers 1997, p. 5.
^ "The religion of Humphrey Bogart." Adherents.com.
^ The home Belmont 1900 census lists Humphrey Bogart your child for having a birth date in December 1899. There are also three different censuses attesting to your birth date in December 1899. His last wife, actress Lauren Bacall, always maintained that December 25 was the real birth date. See Bogart: urban legends.
^ Meyers 1997, p. 67.
Ab ^ Meyers 1997, p. 8.
^ Meyers 1997, p. 6.
^ Meyers 1997, p. 1011.
^ Meyers 1997, p. 910.
^ Meyers 1997, p. 9.
^ Meyers 1997, p. 22.
^ Hyams 1975, p. 12.
^ Meyers 1997, p. 12.
^ Meyers 1997, p. 13.
^ Wallechinsky and Wallace 2005, p. 9.
Ab ^ Meyers 1997, p. 18-19.
^ Meyers 1997, p. 19.
Ab ^ Sperber and Lax 1997, p. 27.
Citro ^ Sceurman, Mark and Moran, 2005, p. 240241.
^ Meyers 1997, p. 29.
^ Sperber and Lax 1997, p. 28.
^ Meyers 1997, p. 22, 31.
Ab ^ Meyers 1997, p. 23.
^ Meyers 1997, p. 24, 31.
^ Sperber and Lax 1997, p. 2931.
^ Sperber and Lax 1997, p. 35.
^ Humphrey Bogart's Broadway Database Internet.
^ Meyers 1997, p. 28.
^ Time Magazine June 7, 1954.
^ Sperber and Lax 1997, p. 33.
^ Sperber and Lax 1997, p. 36.
^ Sperber and Lax 1997, p. 3939.
^ Letter from Bogart to John Huston appears in documentary John Huston: The Man, film, Maverick (1989).
^ Meyers 1997, p. 41.
^ Sperber and Lax 1997, p. 41.
^ Meyers 1997, p. 48.
Ab ^ Sperber and Lax 1997, p. 45.
^ Meyers 1997, p. 49.
Ab ^ Meyers 1997, p. 51.
^ Sperber and Lax 1997, p. 46.
^ Meyers 1997, p. 52.
^ Sperber and Lax 1997, p. 5254.
^ Sperber and Lax 1997, p. 57.
^ Sperber and Lax 1997, p. 6061.
^ Meyers 1997, p. 56.
^ Meyers 1997, p. 54.
^ Meyers 1997, p. 69.
^ Meyers 1997, p. 67.
^ Lax, Eric. Audio Commentary Disc One of the 2006 three-DVD special edition of The Maltese Falcon.
^ Sperber and Lax 1997, p. 6263.
Meyers ^ 1997, p. 78, 91-92.
^ Meyers 1997, p. 81.
^ Interview with John Huston.
^ Meyers 1997, p. 76.
^ Meyers 1997, p. 86-87.
^ Sperber and Lax 1997, p. 119.
^ Sperber and Lax 1997, p. 128.
Ab ^ Sperber and Lax 1997, p. 127.
^ Meyers 1997, p. 115.
^ Meyers 1997, p. 123.
^ Meyers 1997, p. 125.
^ Meyers 1997, p. 131.
^ Sperber and Lax 1997, p. 198.
Ab ^ Sperber and Lax 1997, p. 201.
^ Sperber and Lax 1997, p. 196.
Ab ^ Meyers 1997, p. 151.
^ Meyers 1997, p. 166.
Meyers ^ 1997, p. 165.
^ Sperber and Lax 1997, p. 258.
^ Meyers 1997, p. 166167.
^ Meyers 1997, p. 173174.
^ Sperber and Lax 1997, p. 263264.
^ Meyers 1997, p. 168.
^ Sperber and Lax 1997, p. 289.
^ Meyers 1997, p. 180.
^ Meyers 1997, p. 185.
^ Meyers 1997, p. 188191.
^ Sperber and Lax 1997, p. 422.
^ Sperber and Lax 1997, p. 464.
^ Sperber and Lax 1997, p. 214.
^ Meyers 1997, p. 164.
^ Sperber and Lax 1997, p. 337.
^ Sperber and Lax 1997, p. 343.
^ Meyers 1997, p. 227.
^ Meyers 1997, p. 229230.
^ Porter 2003, p. 9.
^ "I'm not a communist." Photoplay March 1948.
^ Meyers 1997, p. 236.
^ Meyers 1997, p. 235.
^ In an isolated Rotten Tomatoes.
^ Meyers 1997, p. 240241.
^ Sperber and Lax 1997, p. 471.
^ Meyers 1997, p. 243.
Abcd ^ Sperber and Lax 1997, p. 428.
^ Sperber and Lax 1997, p. 429.
Ab ^ Sperber and Lax 1997, p. 430.
^ Sperber and Lax 1997, p. 439.
^ Meyers 1997, p. 248.
^ Meyers 1997, p. 249.
^ Sperber and Lax 1997, p. 444.
^ Sperber and Lax 1997, p. 447.
^ Sperber and Lax 1997, p. 444445.
^ Meyers 1997, p. 258.
Meyers ^ 1997, p. 259260.
^ Sperber and Lax 1997, p. 480.
^ Meyers 1997, p. 279280.
^ Meyers 1997, p. 281.
^ Meyers 1997, p. 283.
^ Sperber and Lax 1997, p. 495.
^ Meyers 1997, p. 288290.
^ Meyers 1997, p. 291292.
^ Gene Tierney: A Portrait broken. The Biography Channel, 03/26/99.
^ Tierney and Herskowitz 1978, p. 164165.
^ Meyers 1997, p. 294.
Ab ^ Sperber and Lax 1997, p. 504.
^ Http: / / www.chessgames.com / player / humphrey_bogart.html
^ http://www.geocities.com/SiliconValley/Lab/7378/bogart.htm
^ Sperber and Lax 1997, p. 509510.
^ Sperber and Lax 1997, p. 510.
Bacall ^ 1978, p. 273.
^ Sperber and Lax 1997, p. 516.
^ Sperber and Lax 1997, p. 518.
^ Meyers 1997, p. 315.
^ VS Naipaul and the plight of the disadvantaged by William L. Sachs.
^ Oxford English Dictionary, 2nd edition, refers http://www.wordorigins.org/index.php/site/comments/bogart/
Bibliography
Bacall, Lauren. By Myself. New York: Alfred Knopf, 1979. ISBN 0-394-41308-3.
Bogart, Stephen Humphrey. Bogart: In Search my Father. New York: Dutton, 1995. ISBN 0-525-93987-3.
Bogart, Humphrey. "I'm no communist" Photoplay Magazine, March 1948.
Citro, A. Joseph, Mark and Mark Sceurman New England Moran.Weird. New York: Sterling, 2005. ISBN 1-40273-330-5.
Halliwell, s Leslie.Halliwell Film, Video and DVD Guide. New York: Harper Collins Entertainment, 2004. ISBN 0-00-719081-6.
Hepburn, Katharine. The formation of the African Queen. New York: Alfred Knopf, 1987. ISBN 0-394-56272-0.
Hill, Jonathan and Jonah Ruddy. Bogart: The man and legend. London: Mayflower-Dell, 1966.
"Humphrey Bogart (in coverage)." Time Magazine June 7, 1954.
Hyams, Joe. Bogart and Bacall: A Love Story. New York, David McKay Co., Inc., 1975. ISBN 0-44691-228-X.
Hyams, Joe. Bogie: The Biography of Humphrey Bogart. New York: American Library 1966 (later renamed editions: Bogie: The definitive biography of Humphrey Bogart). ISBN 0-45109-189-2.
Meyers, Jeffrey. Bogart: A Life in Hollywood. André Deutsch Ltd., 1997: London. ISBN 0-233-99144-1.
Miguel, Pablo. Humphrey Bogart, the man and his movies. New York: Bonanza Books, 1965. No. ISBN.
Porter, Darwin. The Secret Life of Humphrey Bogart: The Early Years (1899-1931). New York: Georgia Literary Association, 2003. ISBN 0-9668030-5-1.
Pym, John, ed. Time Out Film Guide. London: Time Out Group Ltd, 2004. ISBN 1-904978-21-5.
AM Sperber and Eric Lax. Bogart. New York: William Morrow & Co., 1997. ISBN 0-68807-539-8.
Tierney, Gene Herskowitz.Self with Mickey-Portrait. New York: Peter Wyden, 1979. ISBN 0-883261-52-9.
Wallechinsky, David and Amy Wallace. Playlists new books. Edinburgh, Scotland: Canongate, 2005. ISBN 1-84195-719-4.
Youngkin, Stephen D. The Lost: A Life of Peter Lorre. Lexington, Kentucky: University Press of Kentucky, 2005, ISBN 0-813-12360-7.
External Links
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Academy Award for Best Actor
Gary Cooper (1941) James Cagney (1942) Paul Lukas (1943), Bing Crosby (1944) Ray Milland (1945) Fredric March Colman (1946) Ronald (1947) Laurence Olivier (1948) Broderick Crawford (1949) José Ferrer (1950), Humphrey Bogart (1951) Gary Cooper (1952) William Holden Brando, Marlon (1953) (1954) Ernest Borgnine (1955) Yul Brynner (1956), Alec Guinness (1957) David Niven (1958), Charlton Heston (1959), Burt Lancaster (1960)
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